Ballet Links
Ballet Photos
Current Adult Class Schedule
Day Class Time Monday Zumba® 12:10-12:50pm Hoop Dance 6:00-7:00pm Tuesday Nia™ 7:45-9:00pm Wednesday Studio Jam 12:10-12:50pm Zumba® 6:00-7:00pm Saturday Hoop Dance 9:00-10:00am Zumba® 10:00-11:00am Current schedule through May 26, 2010. Classes subject to change. Adult rates range from $10-$12 per class with a punch card. If you plan on attending more than one time per week you can save per class by utilizing our adult unlimited monthly rate of $48.
Contact Us to Join Anytime!
Call 701-356-3200 or email info@goinspiredance.com to register, or use our online registration form.







Ballet
Students learn Classical Ballet primarily from the Vaganova method. These classes train proper posture, technique, vocabulary, strength, balance and flexibility with increasing skill level as they progress.
2012 Class Schedule
Registration is closed for the current academic year running September 1, 2011 – May 18, 2012.
Summer 2012 Schedule
June 11 – July 26 (no class week of July 4)
Ballet Tuesday 6:30-7:15pm, ages 6-9, students must be 6 by June 1, 2012 to participate in this class
Ballet Master Class Thursday 6:30-7:15pm, ages 10+ with minimum 3 years experience
What to Wear
How-To: Learn How to Make a Hair Bun
Most dance classes require that all your hair be pulled back out of your face. In ballet, a simple bun is the traditional style. Have the ladies at the Anaheim Ballet teach you how to create a bun for all hair types. http://www.youtube.com/watch?v=7ywgUDBpnX0
Ballet Terminology
Ballet: A theatrical work or
entertainment in which a
choreographer has expressed his
ideas in group and solo dancing
to a musical accompaniment with
appropriate costumes, scenery
and
lighting.
Tutu: This is the short classical
ballet skirt made of many
layers of tarlatan or net. The
romantic tutu is the long skirt
reaching below the
calf.
Pirouette: Whirl or spin. A complete
turn of the body on one foot,
on point or demi-pointe.
Pirouettes are performed
en dedans, turning
inward toward
the supporting leg, or
en dehors, turning outward in
the direction of the raised
leg. Correct body placement
is essential in all kinds of
pirouettes. The body must be
well centered over the
supporting leg with the back
held strongly and the hips
and shoulders aligned. The
force of momentum is
furnished by the arms, which
remain immobile during the
turn. The head is the last to
move as the body turns away
from the spectator and the
first to arrive as the body
comes around to the
spectator, with the eyes
focused at a definite point
which must be at eye level.
This use of the eyes while
turning is called
“spotting.”
Pirouettes may be performed
in any given position, such
as sur le cou-de-pied, en
attitude, en arabesque,
à la seconde,
etc.
Terminology and definitions from American Ballet Theatre.